Review of House of the Dragon, Episode 1: Plot Summary
House Of The Dragon charts the ascent of the House Targaryen and everything they stood for, taking place precisely 172 years before Daenerys Targaryen. The first episode provides a brief overview of the events that led to the crowning of Rhaenyra as King Viserys’ successor.
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Review of House of the Dragon’s first episode:
The House of Dragon creators crafted the pilot out of respect, devotion, and a sense of giving fans what they deserve. The collective feeling of creating a show that only delivers wonderful things is evident, and the efforts pay off. Respect for the sensitivities of the individuals who have devoted more than ten years of their lives to it. Adoration for the source. The prequel series, which is based on the classic work by George R.R. Martin, aspires to write a love letter to its realistic predecessor instead of trying to outdo it.
House Of The Dragon doesn’t waste much time presenting you to this world since it gives off the impression that everyone viewing it is already in love with the setting. You are sort of invited in by the creators and made a participant in the Harrenhal gathering where Viserys is being crowned. The moment they acknowledge that they still love us, it works wonders. The tale is introduced in the first episode without any of the expected opening scenes.
The prequel places greater attention on the female clan that fought a war away from the conflict, whereas Game of Thrones was about the males who controlled and waged wars while a single woman made a mark. This is the last opportunity for an aging monarch who still does not have an heir. Every choice made on the delivery bed will alter the path of history. The birth bed turns into a quiet battlefield. While the arrangement views women as little more than tools to be used as necessary, Martin, Sapochnik, and Condal make sure that their gaze sufficiently empowers them.
They attempt to write a tale that is historically accurate while also making sure that there is enough recognition of power across genders to support their argument. Because it is set in a period when the discourse wasn’t prevalent but people did exist who resisted evil, it is impossible to classify the strategy as sexist.
The goal is to hit you hard when the world bows down before Rhaenyra and, oh my God! that moment. They accentuate the downtrodden lady to the point that it appears violent. I’m not revealing any spoilers. This is all in the trailer.
They try to compose a story that is historically true while also ensuring that there is a sufficient acknowledgment of power across genders to support their point. It is hard to label the tactic as sexist because it is set in a time when the debate wasn’t common but there were still individuals who opposed evil.
When the entire universe submits to Rhaenyra, and oh my God! that moment, the intention is to hit you hard. They exaggerate how miserable the woman is to the point that it seems aggressive. No spoilers are being revealed.
What Doesn’t Work in the First Episode of House of the Dragon:
The dragons aren’t given much room by the pilot to develop their traits. We were aware from the start of Game of Thrones that Drogon would always soar shoulder to shoulder with his mother. All three of the dragons were more empathetic as a result of their deepening relationship over time. The introduction of adult dragons in House of Dragons immediately establishes a connection between ourselves and these formidable beings.
Final words:
We owe Winds Of Winter and Battle Of Bastards to Miguel Sapochnik. He consistently delivers the stars that people have come to expect of him. I hope the trip is just as spectacular as the pilots. Crossing fingers. Morghulis Valar!
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